2016 JAMB LITERATURE PAST QUESTIONS AND ANSWERS Leave a Comment / Jamb Literature / By Jamb Tutor Report a question What’s wrong with this question? You cannot submit an empty report. Please add some details. 0% 0 votes, 0 avg Created by Jamb TutorJamb Literature 2016 JAMB LITERATURE PAST QUESTIONS AND ANSWERS 1 / 65 Category: Jamb Literature 2016 1. The usual works you know these things. We’ll dangle this babe before the Chief for a price. He will employ her and we can make use of her to get what we want. She will run the errands while we pick the bucks’. The babe in the excerpt above refers to a) Aloho b) Ogeyi c) Alice d) Ochuole In “Harvest of Corruption,” the term “babe” refers to Aloho, who is being exploited for her labor and manipulated for personal gain by the Chief. This reflects the themes of corruption and exploitation in the play. Other options like Ogeyi, Alice, and Ochuole do not fit the context of being used as a tool for corruption. 2 / 65 Category: Jamb Literature 2016 2. ‘0! God forgive me. Is this a trap or what? God! Poor girl! Whatever is her reason for this dangerous decision.’ a) Chief b) Doctor c) Inspector Inaku d) ACP Yakubu This excerpt is spoken by the Chief in “Harvest of Corruption,” expressing his frustration and concern over a perceived threat or betrayal. It highlights the Chief’s manipulative and controlling nature. The other characters listed do not align with the authority and responsibility implied in the statement. 3 / 65 Category: Jamb Literature 2016 3. The central setting of the play is a) Mabu b) Gbossa c) Darkin d) Jabu The central setting of “Harvest of Corruption” is Gbossa, which serves as the backdrop for the unfolding of corruption and moral decay. Mabu, Darkin, and Jabu are other locations in the play but do not hold the primary focus of the narrative. 4 / 65 Category: Jamb Literature 2016 4. ‘Good day (He says without looking up.) See me there by 4 p.m. Okay? Bye!’ there in the excerpt above refers to the a) Court room b) Police station c) Airport d) Akpara hotel In “Harvest of Corruption,” this dialogue likely takes place at the Akpara hotel, a central location where significant interactions occur. The Court room, Police station, and Airport are other settings but do not align with the casual and authoritative tone of the excerpt. 5 / 65 Category: Jamb Literature 2016 5. Chief Ade Amaka is involved in which of the following crime? a) Child trafficking b) Land grabbing c) Smuggling Chief Ade Amaka is involved in smuggling, a central crime in “Harvest of Corruption.” This act exemplifies the rampant corruption and illicit activities portrayed in the play. Child trafficking and land grabbing are other serious crimes but are not attributed to Chief Ade Amaka. 6 / 65 Category: Jamb Literature 2016 6. ‘ill-starred wench, pale as thy smock, When we shall meet at compt.’ The device used in the lines above is a) simile b) pun c) metaphor d) paradox The phrase “pale as thy smock” employs a simile, comparing the character’s pallor to a smock using “as.” This creates a vivid image and emphasizes the character’s state. Simile is different from metaphor, pun, and paradox, which use other forms of comparison or contradiction. 7 / 65 Category: Jamb Literature 2016 7. Othello kills Desdemona because the a) former is jealous b) former's race is insulted c) latter is a witch In Shakespeare’s “Othello,” Othello kills Desdemona primarily because he is consumed by jealousy, manipulated by Iago into believing she has been unfaithful. This tragic flaw drives the narrative forward. His race being insulted or Desdemona being a witch are not the primary reasons for the murder. 8 / 65 Category: Jamb Literature 2016 8. Brabantio is opposed to the relationship between Othello and Desdemona because a) he prefers Lago b) Othello is a Moor c) Roderigo woos her first d) Desdemona is too young Brabantio opposes Othello and Desdemona’s relationship primarily because Othello is a Moor, reflecting the racial prejudices of the time. This opposition is rooted in societal norms and personal biases, rather than preferences for other suitors or Desdemona’s age. 9 / 65 Category: Jamb Literature 2016 9. ‘soft you; a word or two before you go. I have done the state some service, and they know’t No more of that, I pray you, in your letters, When you shall these unlucky deeds relate’, The speech above is made when the speaker is a) travelling b) sick c) dying d) eloping This speech is made by Othello as he confronts his actions, revealing his internal conflict and the weight of his decisions. It underscores the tragic elements of the play, where Othello grapples with his conscience and societal pressures before committing the act. 10 / 65 Category: Jamb Literature 2016 10. ‘O heaven; How got she out? O treason of the blood Father, from hence trust not your daughters’ minds By what you see them act. Is there not charms By which the property of youth and maidhood May be abused?’ The speaker of the excerpt above is a) Brabantio b) Othello c) Gratiano d) Roderigo The speaker is Brabantio, expressing his shock and betrayal upon discovering Desdemona’s actions. His distrust and accusation reflect the racial and societal tensions in “Othello,” emphasizing themes of honor and control. 11 / 65 Category: Jamb Literature 2016 11. The name of Kabria’s husband is a) Kwei b) Kpakpo c) Adade d) Ottu In “Faceless” by Amma Darko, Kabria’s husband is named Adade. This character plays a significant role in the narrative, embodying themes of marital strain and societal pressures. The other names listed do not correspond to Kabria’s husband. 12 / 65 Category: Jamb Literature 2016 12. ‘She was both a child and an adult and could act like both The character being referred to in the excerpt above is a) Fofo b) Baby T. c) Odarley d) Obea The character being referred to is Fofo from “Faceless” by Amma Darko. Fofo’s ability to embody both childlike and adult traits highlights her complex personality and the challenges she faces within the narrative. 13 / 65 Category: Jamb Literature 2016 13. The question is based on Amma Darko’s Faceless. The writer of the novel is from a) Germany b) Scotland c) Ghana d) Nigeria Amma Darko, the author of “Faceless,” is from Ghana. Her work often explores themes of identity, gender, and societal expectations within Ghanaian culture. 14 / 65 Category: Jamb Literature 2016 14. Windows in mourning in Kufi wear garments that are a) red b) black c) white d) dull In Bayo Adebowale’s “Lonely Days,” the windows in mourning symbolize grief, with the women wearing black garments to signify loss and sorrow. This visual representation enhances the emotional depth of the narrative. 15 / 65 Category: Jamb Literature 2016 15. In the novel, bage cap signifies everlasting a) happiness b) sorrow c) freedom d) despair In “Lonely Days,” the bage cap symbolizes everlasting freedom, representing the characters’ yearning for liberation and autonomy. This symbol contrasts with other emotions like happiness or sorrow, emphasizing the theme of longing. 16 / 65 Category: Jamb Literature 2016 16. Yaremi’s only son is a) Alani b) Wande c) Olode d) Deyo Yaremi’s only son is Wande in “Lonely Days” by Bayo Adebowale. Wande represents hope and the future amidst the struggles depicted in the novel, embodying the aspirations of his family. 17 / 65 Category: Jamb Literature 2016 17. Bigger burns Mary body in the a) toilet b) basement c) backyard d) wardrobe In Richard Wright’s “Native Son,” Bigger burns Mary’s body in the basement, symbolizing his attempt to cover up the crime and his descent into desperation and violence. 18 / 65 Category: Jamb Literature 2016 18. Mary’s lover is a) Earlone b) Buckley c) Bigger d) Max Mary’s lover is Bigger in “Native Son” by Richard Wright. Their illicit relationship is central to the plot, driving the tragic events that unfold. 19 / 65 Category: Jamb Literature 2016 19. ‘Suppose Mary had not burned? Suppose she was still there, expose’ The dominant literacy device in the excerpt above is a) apostrophe b) euphemism c) syntactical parallelism d) rhetorical question The dominant literary device is a rhetorical question. Bigger uses rhetorical questions to express his doubt and frustration, highlighting his internal conflict and the gravity of his actions. 20 / 65 Category: Jamb Literature 2016 20. Bigger and the gang rob Negroes because a) they are the same b) it is not a crime c) they are helpless d) it is easier Bigger and the gang rob Negroes because they are perceived as helpless, making it easier to exploit them. This reflects the systemic oppression and economic desperation faced by African Americans in the context of “Native Son.” 21 / 65 Category: Jamb Literature 2016 21. One of the themes in Morris The Proud King is a) arrogance b) greed c) education d) achievement “The Proud King” by Morris explores the theme of arrogance, depicting a monarch whose pride leads to his downfall. This theme is central to the narrative, illustrating the consequences of excessive pride and power. 22 / 65 Category: Jamb Literature 2016 22. ‘The panic Of growing older Spreads fluttering wings from year to year’ The dominant figure of speech in the lines above from Peters’ The Panic of Growing Older is a) onomatopoeia b) metaphor c) personification d) apostrophe The dominant figure of speech is personification. The “panic” is given human-like qualities, spreading “fluttering wings,” which symbolizes the growing anxiety associated with aging. 23 / 65 Category: Jamb Literature 2016 23. Kofi Awoonor is a poet from a) Cameroon b) Nigeria c) Ghana d) Kenya Kofi Awoonor is a renowned poet from Ghana. His works often explore themes of African identity, tradition, and the challenges of modernity, contributing significantly to African literature. 24 / 65 Category: Jamb Literature 2016 24. Okara’s Piano and Drums symbolizes a) superiority of the white man b) how Africa is becoming complex c) simplicity of the European society d) the complexities of the Western society In Okara’s “Piano and Drums,” the piano and drums symbolize the complexities of Western society. They represent the fusion and conflict between traditional African culture and Western influences, highlighting the struggles of maintaining cultural identity. 25 / 65 Category: Jamb Literature 2016 25. But such a tide moving seems asleep, Too full for sound and foam, When that which drew from out the boundless deep Turns again home.’ The rhyme scheme in the excerpt above from Tennyson’s Crossing the Bar is a) abba b) abab c) abed d) aabb The rhyme scheme is ABAB, a common pattern in poetry that creates a rhythmic and harmonious flow. This structure enhances the musical quality of the poem and emphasizes the natural imagery depicted. 26 / 65 Category: Jamb Literature 2016 26. ‘So strength first made a way; Then beauty flowed, then wisdom, honour, pleasure.’ The lines above from Herbert’s The Pulley is an example of a) personification b) paradox c) metaphor d) antithesis The lines exemplify antithesis, where contrasting ideas are juxtaposed to highlight differences and create a balanced effect. This device emphasizes the sequence and relationship between strength, beauty, wisdom, honor, and pleasure. 27 / 65 Category: Jamb Literature 2016 27. Blake’s The School Boy can be referred to as a) dramatic b) instructive c) satiric d) expository “The School Boy” by Blake is satiric, critiquing the educational system and societal expectations through irony and exaggerated scenarios. This genre allows Blake to highlight the flaws and absurdities in schooling and childhood experiences. 28 / 65 Category: Jamb Literature 2016 28. `If we cry roughly of our torments; Ever increasing from the start of things, What eyes will watch our large mouths; Shaped by the laughter of big children What eyes will watch our large mouths?’ The language of the persona of the above excerpt in Diop’s Vanity is a) inciting b) submissive c) imploring d) diplomatic The language is imploring, as the speaker earnestly requests attention and understanding regarding their torments and struggles. This plea seeks empathy and recognition from the listener or reader. 29 / 65 Category: Jamb Literature 2016 29. ‘Dinner tonight conies with; gun wounds, Our desert tongues lick the vegetable; blood-the pepper’ From the lines above in Hallowell’s The Dining Table, the persona is a) thirsty b) displeased c) hungry d) sick The persona is hungry, as indicated by the references to eating and consuming food despite the presence of violence (“gun wounds”). This juxtaposition highlights the coexistence of basic needs and societal turmoil. 30 / 65 Category: Jamb Literature 2016 30. ‘blue Peter on empty ships all peters with petered out desires.’ It can be deduced from the lines above in Adeoti’s Ambush that the Peters are a) disappointed b) betrayed c) lazy d) greedy The Peters are disappointed, as suggested by “petered out desires,” indicating unfulfilled hopes and aspirations. This metaphor highlights the decay of dreams and the impact of adversity on individuals. 31 / 65 Category: Jamb Literature 2016 31. An art that is both literary and theatrical is a) prosody b) a prose c) drama d) a poem Drama is an art form that combines literary elements with theatrical performance, involving scripts, dialogue, and stage directions to bring stories to life. It distinguishes itself from purely literary or purely theatrical forms by integrating both aspects. 32 / 65 Category: Jamb Literature 2016 32. The speech made by a character to himself on stage is a) epilogue b) monologue c) aside d) soliloquy A soliloquy is a speech made by a character alone on stage, revealing their innermost thoughts and feelings to the audience. It differs from a monologue or aside by its introspective nature and lack of direct address to other characters. 33 / 65 Category: Jamb Literature 2016 33. In literature, a round character is associated with a) change and growth b) simplicity and modesty c) stability and determination d) running down other characters A round character is complex and undergoes change and growth throughout the narrative. They possess multiple facets and are more realistic compared to flat characters, making them integral to the story’s development. 34 / 65 Category: Jamb Literature 2016 34. In a narrative poem, the poet attempts to a) summarize a story b) preach a sermon c) describe a place d) tell a story In a narrative poem, the poet aims to tell a story, often with a clear plot, characters, and setting. This form combines the elements of poetry with the storytelling aspects of prose, creating a rhythmic and engaging narrative. 35 / 65 Category: Jamb Literature 2016 35. The continuation of meaning without pause, from one line to the next is a) enjambment b) synecdoche c) alliteration d) melodrama Enjambment is the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza in poetry. It creates a flow and can emphasize particular words or ideas by carrying them over to the next line. 36 / 65 Category: Jamb Literature 2016 36. The plot of a story generally refers to the a) way in which the writer begins the story b) intrigue made by a character against the hero c) way the writer ends the story d) way in which the events of the story are organized The plot refers to the way in which the events of the story are organized and unfold. It includes the sequence of actions, conflicts, and resolutions that drive the narrative forward, shaping the reader’s experience. 37 / 65 Category: Jamb Literature 2016 37. A didactic piece is one in which the writer a) teaches human lessons b) dictates to the reader c) condemns human foibles d) discusses dialectic themes A didactic piece aims to teach or convey moral lessons to the reader. It often includes instructional elements and seeks to impart wisdom or ethical guidance through its narrative or argument. 38 / 65 Category: Jamb Literature 2016 38. What basically distinguish literature from other disciplines a) communication of idea b) use of creative imagination c) portrayal of places d) exposition of human experience Literature is distinguished by its use of creative imagination to portray human experiences, emotions, and ideas. Unlike other disciplines that may focus more on factual or empirical content, literature emphasizes artistic expression and narrative techniques. 39 / 65 Category: Jamb Literature 2016 39. A reward or punishment a character receives in a literary work is a) point of attack b) poetic justice c) popular outcry d) poetic license Poetic justice refers to the concept where virtue is ultimately rewarded and vice punished, aligning with the moral outcomes of the narrative. It ensures that characters receive appropriate consequences for their actions, reinforcing the story’s ethical framework. 40 / 65 Category: Jamb Literature 2016 40. In literary criticism, the vocabulary or language used by a writer is generally known as a) figure of speech b) diction c) expression d) rhythm Diction refers to the choice and use of words and phrases in speech or writing. It reflects the writer’s style and can influence the tone and clarity of the literary work, distinguishing it from other elements like rhythm or figure of speech. 41 / 65 Category: Jamb Literature 2016 41. Weep not child, weep not my darling, With these kisses, let me remove your tears The ravening clouds shall no longer be victorious They shall no longer possess the sky …The speaker of the lines is a) pessimistic b) optimistic c) helpless d) carefree The speaker is optimistic, as they reassure the child with promises of overcoming the hardships represented by the “ravening clouds.” This hopeful outlook contrasts with feelings of despair or helplessness. 42 / 65 Category: Jamb Literature 2016 42. ‘You see that Benz at the rich’s end? Ha! That motoka is motoka, it belongs to the Minister for fairness. Who yesterday was loaded with a doctorate. At Makerere with whisky and I don’t know what Plus I hear the literate thighs of an undergraduate’ Theo Luzuka: The Motoka The excerpt above can be described as a) sad b) humorous c) strange d) serious The excerpt is humorous, using satire and irony to critique the Minister’s behavior and societal norms. The playful language and exaggerated scenarios highlight the absurdity of corruption and privilege. 43 / 65 Category: Jamb Literature 2016 43. `… for my purpose holds To sail beyond the sunset and the baths; of all the western stars, until I die.’ Tennyson: Ulysses. From the excerpt above, the persona does not intend to a) undertake dangerous adventure b) stop travelling c) die d) travel at night The persona does not intend to “travel at night.” The lines emphasize a desire for continuous adventure and exploration (“sail beyond the sunset”) rather than specific timing like nighttime travel. 44 / 65 Category: Jamb Literature 2016 44. ‘And my children left their peaceful nakedness for the uniform of iron and blood.’ David Diop: Loser of Everything. In the lines above, the imagery depicts a displacement of a) village life by barrack life b) nature by science c) innocence by violence d) the natural by the artificial The imagery depicts a displacement of innocence by violence, symbolizing the loss of purity and peace due to conflict or war. The “peaceful nakedness” represents innocence, while the “uniform of iron and blood” symbolizes violence and militarization. 45 / 65 Category: Jamb Literature 2016 45. ‘Now we have come to you, And are amazed to find Those you have loved and respected Mock you to your face.’ Kwesi Braw: Lest we should Be The Last The lines above convey the feeling of a) satisfaction b) hope c) disappointment d) fear The feeling conveyed is disappointment, as the speaker expresses astonishment and dismay at being mocked by those once loved and respected. This sentiment highlights themes of betrayal and unfulfilled expectations. 46 / 65 Category: Jamb Literature 2016 46. The times has come when I can fool myself no more I am no man sadiku. My manhood ended near a week ago. The lines above reveal that the speaker a) has become impotent b) loves women c) is tired of marriage d) is disgusted with life The speaker has become impotent, as indicated by the loss of manhood. This declaration reflects vulnerability and a significant change in the speaker’s identity or status. 47 / 65 Category: Jamb Literature 2016 47. ‘In those days When civilization kicked us in the face When holy water slapped our cringing brows. The vultures built in the shadow of their talons.’ David Diop: The Vulture. The dominant Literary device used in the lines above is a) metaphor b) pun c) simile d) personification The dominant literary device is personification, as “civilization” and “holy water” are given human-like actions (kicking, slapping) to emphasize their aggressive impact on the people. 48 / 65 Category: Jamb Literature 2016 48. ‘The leaves are withered Roses fold and shrink Dog the panting athlete shows his tongue dwarled A shadow flees Nude under and crack.’ Nuts wrinkle and crack.’ W. Kamera: Poems in Four Parts. One dominant image presented in the lines above is that of a) death b) summer c) tiredness d) spent life The dominant image is that of tiredness, depicted through the withered leaves, shrinking roses, panting dog, and cracking nuts. These images collectively convey exhaustion and the weariness of life. 49 / 65 Category: Jamb Literature 2016 49. When I remember by gone days I think how evening follows morning So many I loved were not yet dead, So many I love not yet born. The period of life the poet has arrived at is a) middle age b) adolescence c) old age d) early childhood The poet has arrived at middle age, reflecting on past memories and future possibilities. This stage is characterized by contemplation of life experiences and the impact of time on relationships and personal growth. 50 / 65 Category: Jamb Literature 2016 50. ‘Behold her, single in the field You solitary Highland lass! Reaping and singing by herself O listen! For the value profound is overflowing with sound.’ Words worth: The Solitary Reaper The lines above constitute a) an apostrophe b) an aside c) an interior monologue d) soliloquy The lines constitute an apostrophe, as the poet directly addresses the solitary reaper, invoking her presence and emphasizing her actions and their emotional impact. This direct address enhances the poem’s lyrical quality. 51 / 65 Category: Jamb Literature 2016 51. Totality of the effects produced on a reader of a literary work is a) tone b) mood c) plot d) diction Mood is the overall emotional atmosphere a literary work creates for the reader. It encompasses the feelings and attitudes that the text evokes, shaping the reader’s emotional response and engagement with the narrative. 52 / 65 Category: Jamb Literature 2016 52. An art form in which singers and musicians performs dramatic work combining text and music is a) concert b) opera c) theatre d) pantomime Opera is an art form that combines singing, music, and dramatic performance to tell a story. It integrates text and musical elements, distinguishing itself from other performance arts like concerts or pantomimes. 53 / 65 Category: Jamb Literature 2016 53. In literature, local colour is a) universal b) restricted c) only English d) only American Local color refers to the distinctive features, dialects, and customs of a specific region portrayed in a literary work. It adds authenticity and depth to the setting, enhancing the reader’s immersion in the story’s environment. 54 / 65 Category: Jamb Literature 2016 54. A clue to an event that will happen later in a work of art is a) flashback b) fore- shadowing c) premonition d) digression Foreshadowing is a literary device that hints at future events in a narrative. It builds anticipation and suspense, guiding the reader’s expectations and enhancing the story’s cohesion and thematic development. 55 / 65 Category: Jamb Literature 2016 55. . . . Comedy of lower kind in which believability is sacrificed for the main objective of exciting laugh is a) farce b) comedy c) melodrama d) tragi comedy Farce is a type of comedy that relies on exaggerated situations, physical humor, and improbable events to elicit laughter. It prioritizes humor over realism, distinguishing itself from other comedic forms like satire or melodrama. 56 / 65 Category: Jamb Literature 2016 56. ‘I am on the world’s extreme corner.’ Kofi Awoonor: Song of Sorrow. The speaker in the lines above is a) indifferent b) sad c) angry d) in pain The speaker is sad, expressing feelings of isolation and emotional distress. This sentiment reflects the themes of sorrow and longing present in “Song of Sorrow.” 57 / 65 Category: Jamb Literature 2016 57. Then I sat myself quiet… for five And forty turbulent years I waited, sapped, famished, For love to wake from her sickly slumber; The figure of speech in the last line above is a) assonance b) personification c) metaphor d) oxymoron The figure of speech is personification, as “love” is given human attributes, capable of waking from slumber. This enhances the emotional resonance and depth of the speaker’s longing. 58 / 65 Category: Jamb Literature 2016 58. We have rain but hate to plant We have the heat and the glory of the rainbow But we kill our own suns with hurtful glee The poet’s feeling call be described as that of a) disappointment b) indifference c) anxiety d) joy The poet expresses disappointment, lamenting the wasted potential and destructive actions despite having the necessary resources. This sentiment underscores themes of frustration and unfulfilled aspirations. 59 / 65 Category: Jamb Literature 2016 59. When I remember by gone days I think how evening follows morning So many I loved were not yet dead, So many I love not yet born. The period of life the poet has arrived at is a) middle age b) adolescence c) old age d) early childhood The poet is in middle age, reflecting on past memories and contemplating future possibilities. This stage is marked by a deep awareness of time’s passage and the complexities of love and loss. 60 / 65 Category: Jamb Literature 2016 60. ‘Behold her, single in the field You solitary Highland lass! Reaping and singing by herself O listen! For the value profound is overflowing with sound.’ Words worth: The Solitary Reaper The lines above constitute a) an apostrophe b) an aside c) an interior monologue d) soliloquy The lines constitute an apostrophe, as the speaker directly addresses the solitary reaper, highlighting her actions and the emotional impact they have. This device enhances the poetic expression and engagement with the subject. 61 / 65 Category: Jamb Literature 2022 61. 36. ‘Like a sculpture chipping away at bits of wood’, this opening line in ‘the song of the women of my land’ by Oumar Farouk Sesay is an instance of a) Metaphor b) Simile c) Personification d) Alliteration The correct answer is Simile (B). This line uses a simile by comparing the action to a sculpture chipping away, using “like” to draw the comparison. Metaphor (A) makes a direct comparison without using “like” or “as,” Personification (C) attributes human traits to non-human things, and Alliteration (D) involves repeating consonant sounds. The simile enhances the descriptive imagery. 62 / 65 Category: Jamb Literature 2022 62. 37. ‘Flower of Florence’, ‘Twist a twitter’, ‘Little lumps’ these lines from D.H Lawrence’s ‘Bats’ are instances of a) Assonance b) Alliteration c) Simile d) Metaphor The correct answer is Alliteration (B). These lines repeat the initial consonant sounds (‘Fl’, ‘Tw’, ‘Ll’), creating a rhythmic and musical effect typical of alliteration. Assonance (A) involves vowel sounds, Simile (C) uses comparisons, and Metaphor (D) implies direct comparisons. Alliteration enhances the poem’s auditory appeal and cohesion. 63 / 65 Category: Jamb Literature 2022 63. 38. The subject matter of ‘Caged Bird’ by Maya Angelou is a) Racism b) Poverty c) Gender d) Restriction The correct answer is Racism (A). “Caged Bird” metaphorically represents the struggles and limitations imposed by racism, contrasting the free bird’s liberty with the caged bird’s confinement. Poverty (B), Gender (C), and Restriction (D) may be related themes but do not encapsulate the primary focus on racial oppression and inequality as central to the poem’s message. 64 / 65 Category: Jamb Literature 2022 64. 39. ‘And make one little room an everywhere’. this line from John Donne’s ‘The Good Morrow’ is an example of a) Euphemism b) Imagery c) Hyperbole d) Allusion The correct answer is Hyperbole (C). This line exaggerates the idea of a small room encompassing the entire world, emphasizing the depth of love and connection between lovers. Euphemism (A) softens harsh realities, Imagery (B) creates sensory experiences, and Allusion (D) references another work or concept. Hyperbole intensifies the emotional expression in the poem. 65 / 65 Category: Jamb Literature 2022 65. 40. ‘The journey of the Maggi’ by T.S Elliot is a) A metaphor for life's journey b) A narration of people on a journey c) About travelers d) The challenges of a long journey The correct answer is A metaphor for life’s journey (A). The poem uses the journey of the Magi as a metaphor to explore themes of faith, transformation, and the complexities of personal growth. A narration of people on a journey (B) and about travelers (C) are literal interpretations, while the challenges of a long journey (D) are secondary to the metaphorical significance that reflects life’s spiritual and existential quests. Your score is The average score is 0% LinkedIn Facebook Twitter VKontakte 0% Restart quiz Anonymous feedback Send feedback